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The King's College NYC

TKC Alumni Feature: Meet Michael Sheetz, The Space Reporter Who Also Surfs

TKC Alumni Feature: Meet Michael Sheetz, The Space Reporter Who Also Surfs

On a recent Friday afternoon, Michael Sheetz hopped on a video call as he sat in the backyard of a modest French house. 

Calling from France, specifically Chinon in the Loire valley, to New York means he is six hours ahead and is enjoying the early evening with relatives. He had just finished covering a two-week-long space conference in France, and he and his wife decided to visit family there before heading back to the States. Though extremely busy, he made an effort to join the call. 

Potted plants and vine branches fill the backyard. Clouds cover the sky, but they don’t cast a feeling of gloom. Sheetz, wearing a simple gray shirt and a silver watch, brushed back his dark brown hair and clinched his scruffy jaw as he proceeded to answer question after question about his life back in America. 

As a California kid, Sheetz dreamed of places like New York City, Paris and outer space. Now a space reporter for global business news leader CNBC, his job encapsulates all those things. 

Growing up in Orange County, Calif., Sheetz had a normal childhood filled with baseball, surfing the Pacific and debate competitions. At a young age, Sheetz  subscribed to The Wall Street Journal and slowly became a news junky. He felt like he never fully appreciated his comfortable lifestyle in California until he moved across the country for college. 

Receiving the Founders Award, a full-ride scholarship to The King’s College, Sheetz moved to New York City in the fall of 2013, majoring in Politics, Philosophy and Economics with a minor in Journalism. 

“If there is any place I’m going to get exposure to what being a journalist looks like and being around other journalists, that's where I’m gonna have to be,” he said. 

While at King’s, Sheetz took a few journalism classes and was encouraged by professors to explore the realm of business journalism. 

“Michael is a smart, talented, articulate guy who was an enthusiastic part of the King’s community and journalism program,” a journalism professor at King’s, Paul Glader, said. “He dedicated himself to journalism and business reporting and is seeing great results.” 

During college, he took up three different internships at CNBC – working in breaking news for CNBC.com, on the TV assignment desk and the production team on the show “Mad Money with Jim Cramer.” He described working there as drinking from a fire hose of daily information.

Since he lived in the city, Sheetz took a bus to Englewood Cliffs, N.J., to his job at CNBC throughout college. 

Along with those internships, he served as editor-in-chief of the school newspaper, the Empire State Tribune, and worked there all four years of college. 

After graduating in 2017, Sheetz worked full-time for CNBC.com's markets team. He stayed due to the supportive culture of the company. 

As he began to gain more experience in journalism and reporting, he started to pull a few threads that would begin to unravel his future career opportunities. 

“Instead of trying to follow along with what everyone else was doing, I wanted to find something that no one was covering, that my editors were interested in, and something that I could really own,” Sheetz said. “I loved the idea that companies are made up of individuals and everyone from the janitor up to the CEO all make decisions that are personal to them through their own knowledge and experiences.” 

Sheetz always assumed that he would head back to the west coast to write for a newspaper after putting in his four years of college but realized his new passion would best thrive in the world’s financial capital. 

“Being in New York, you’re surrounded by Wall Street and all these big financial institutions. I loved the idea of trying to tell a little bit of the people’s stories behind all that money,” he said. 

Still looking for that specific thing Sheetz could call his own, he asked his editor if he could cover SpaceX launches that were happening over the weekend. He quickly realized that this $470 billion industry was not getting enough coverage. 

“[There is this] substantial existing industry where new companies created in the last 20 years are changing the game, some of them backed by billionaires like Elon Musk and Jeff Bezos and no one here is writing about it,” Sheetz said. 

He continued to pitch space stories to his editors and started covering the beat full-time. 

Though space is a broad topic, Sheetz focuses explicitly on the business and investing side. 

“It is a growing and changing beat. And today, I can hardly write about everything that is happening; there are so many companies newly public,” Sheetz said. 

Now, having over 170,000 followers on Twitter and launching a weekly newsletter, Investing in Space, Sheetz has pulled in an audience interested in space news. Though he has attended a fair share of rocket launches and space conferences, since working on the space beat full-time, Sheetz worked from home during the pandemic before returning to the office this fall.

For him, a typical day of work looks like sifting through hundreds of emails. He might watch a rocket launch webcast or tune into a press conference from NASA while writing articles.

“[Until recently], my entire existence of being a full-time space writer has been from a work-home environment,” Sheetz said.

Since he works as the news cycle requires, he has the flexibility to go back to his California roots.

Sheetz drives to Rockaway Beach in Queens a couple of times weekly to surf. But the news doesn’t stop just for him. At dawn, he packs up his surfing gear and also his laptop. After a couple of hours of catching some Atlantic ocean waves, he’ll head home or to the office – always ready for a call in case news breaks on his way.

The first paycheck he got at CNBC, he used to buy a fish surfboard. He now owns four; two fish surfboards and two shortboards. As the saying goes, you can take the boy out of California, but you can’t take California out of the boy. 

“I found a passion for using my free time to disconnect and stay offline and use that as an opportunity to recharge,” he added.

Sheetz and his wife, Joy, also a King’s alumna, have maintained a tight-knit group of college friends they often see on the weekends. 

“I have a great community of King’s alum that I’m close with; we have really stuck together in the Brooklyn area since then,” Sheetz said. 

“Michael has always shown up. Whether in high school to win national championships or to volunteer at church, he’s done so with excellence and a smile on his face,” Iain Coston, a friend of Sheetz, said. “Seeing him excel and shine at CNBC, lead new initiatives, and get hugs from Shaq is no surprise to me.” 

Now that the pandemic has subsided, Sheetz has returned to the office on a hybrid schedule, though he has enjoyed working from home.

Since international travel has loosened restrictions, CNBC deployed Sheetz to cover two exclusive space conferences in the South of France, World Satellite Business Week and the International Astronautical Congress (IAC).

Though Sheetz does not often travel for work, he could not miss the opportunity that two space conferences would be happening in the same city back to back. Sheetz moderated panels, interviewed many attendees and covered both conferences. 

But being a beat reporter is not always so glamorous. It's tough. Journalists are always in a competitive environment, wondering who will get the first exclusive or intel on the latest news. You have to be constantly on. 

“Overcoming the guilt of missing a story. Getting beat on a scoop or someone else getting an exclusive that I wanted,” Sheetz said. “I’m not omniscient. I can’t control the news; it doesn’t all flow through me. Which is what it feels like it should be.” 

Among many of his accomplishments, Sheetz started something at CNBC that no one else had attempted to take on full time.

“[My greatest accomplishment has been] building a beat from scratch. I didn’t invent space reporting, but no one was doing it full-time at CNBC,” Sheetz said. “That has been insanely satisfying. Having something that I built up, all the way to having a personal brand in space, to having CNBC be known for its space reporting.”

This article has been republished courtesy of The Empire State Tribune, the independent student newspaper at The King’s College in New York.

Spring ‘22 NYCJ students learn what it takes to make it in New York, studying and interning in the city as the pandemic eases

Spring ‘22 NYCJ students learn what it takes to make it in New York, studying and interning in the city as the pandemic eases

Students taking part in the NYC Semester in Journalism program have spent the past two months covering important local and national news stories as the world slowly emerges from COVID-19. 

This semester’s students followed in the footsteps of past NYCJ classes by participating in the unique semester-long, off-campus study program operated by the McCandlish Phillips Journalism Institute at The King’s College in NYC.

After two years when internships were remote, many are now hybrid while classes at King’s are back in person. 

“I would absolutely recommend NYCJ to anybody who thinks journalism may be a career they pursue seriously,” said Banks Halvorson, who hails from Covenant College in Georgia and is currently interning at the Brooklyn Paper.

“The experience of working with newspapers in the media capital of America is priceless, and the classes you take and people you meet are incredible. I was excited about this program, but it has blown all my expectations out of the water.”  

Students taking part in the 14th NYCJ cohort that chose to make New York their home this semester. The students are enrolled in classes, including History of Journalism and New York City with Prof. Clemente Lisi and Entrepreneurial Journalism with Prof. Paul Glader. Under Glader’s guidance, the students work 20 hours per week in a New York newsroom, earning six academic credits and pursuing bylines.

Paige Taylor, a student from Abilene Christian University in Texas, is currently an intern at Bold TV. She said her internship and courses — in addition to living in New York City — has made this semester a unique experience.  

“Living and working in New York is much more fast paced than I anticipated,” she added, “but I adapted very quickly and have actually grown to love the hustle and bustle.” 

Esther Wickham, a King’s student who is taking part in NYCJ this spring, said her internship at amNewYork and living in the city has given her a chance to gain valuable experience needed for her to get a job once she graduates. 

“I would definitely recommend the program! It grants you the opportunity that the current college you attend can't give you,” she said. “Living in New York City during your college years while pursuing a career in journalism with highly skilled and talented professors that have been in the journalism field for decades is a dream many have.” 

Camila da Silva, a student who attends the Sao Paulo-based Mackenzie Presbyterian University in Brazil, is spending the semester as an intern with Religion Unplugged. She said her favorite class was History of Journalism, a course that looks at coverage of various events in U.S. history, including the 9/11 attacks, and the beliefs, values and character that goes with working in a New York newsroom.

“It brings together what we can learn from the past and perspectives for building modern journalism,” she said. 

Both Taylor and Wickham are taking Religion Reporting this semester, giving students yet another chance to get bylines since the advanced reporting class works closely with ReligionUnplugged.com. The non-profit religion news website, which has offices at TKC, is part of The Media Project

“We have gone really in depth on reporting and getting outside of our comfort zone when it comes to reporting on topics we are not very familiar with,” Taylor said. “I have learned so much about reporting.” 

The New York City Semester program partners with more than 41 universities and colleges across the U.S. and the world. Students can apply to join the program for a future semester by clicking here

MPJI August 2021 Letter To Friends, Donors, Students and Alums

Dear Friends of MPJI,

Greetings from New York City, where tourism, commerce and culture are rapidly returning post-pandemic. At MPJI, we are excited about: 

NYCJ: A full class of 13 students attending the NYC Semester in Journalism (NYCJ) program this fall, bringing diverse backgrounds and perspectives from across the U.S. (and one from Brazil). We are placing these students in newsroom internships including AM New York, Brooklyn Paper, Newsweek and Bold TV. If your newsroom wants an intern now or in a future semester, please do reach out!

Fall 2021 Class of NYCJ Students

Fall 2021 Class of NYCJ Students


Summer Academy: Our Summer Academy high school journalism program enrolled 17 students across two tracks: Arts and Culture reporting with Prof Paul Glader and Sports reporting with Prof Clemente Lisi July 26-30. We had a great week!

Summer Academy 2021 students

Summer Academy 2021 students

JCS: We look forward to welcoming our Journalism, Culture and Society (JCS) four-year majors back on campus in a matter of days. We are excited about strong and diverse leadership teams at The Empire State Tribune campus news outlet and in our on-campus chapter of the Society of Professional Journalists led by its new president Sofia Valdes.

Advisers & Friends: We are delighted to welcome a few new names to our MPJI advisory committee: Jordan Ritter Conn, Dr. Anne Hendershott, Hamil Harris, Jerry Mitchell, Brandon Mercer, Bobby Ross, Meagan Clark, Hope Hodge Seck and Michael Goodwin. Congratulations to Marshall Allen for his new book “Never Pay The First Bill” published by Portfolio / Penguin (where it was edited by Bria Sanford, another advisory committee member). And congratulations to Nathan Pyle for his best-selling books, “Existence Chronicle,” “Strange Planet, "Stranger Planet.” Also, our adjunct colleague Stephen Kurczy, who teaches media law and ethics to our JCS majors, has a new book out with Dey St. press titled “The Quiet Zone: Unraveling the mystery of a town suspended in silence.” We published a QnA with Annie Augustine, who worked in PR at The Atlantic, The New Republic and Vice News before teaching an elective class in media PR at King’s.

Congratulations to our ALUMS doing great work. Here are a few updates:

  • Lydia Moynihan covers Wall Street for The New York Post, recently switching to that role from her job as a producer at Fox Business.

  • Bernadette Berdychowski is a retail and real estate reporter at The Tampa Bay Times, recently switching from her role in audience development.

  • Morgan Chittum is a finance reporter at blockchain news outlet Blockworks, after her year as a fellow at the New York Daily News.

  • Wesley Parnell has published some enterprise pieces in addition to his daily coverage as a metro reporter and photojournalist at New York Daily News.

  • Anastassia Gliadkovskaya is a staff writer at Fierce Healthcare after interning this spring at Forbes.com.

  • Michael Sheetz was all over the summer billionaire space jam in his job as space reporter at CNBC.

  • Jessica Mathews joins Fortune magazine as a finance reporter, after three years at FinancialPlanning. Her fellow TKC alumna, Anne Sraders, has been a finance reporter at Fortune for two years.

  • Kat Samelson is a production assistant at the Today Show.

  • Zoe Jones is working at CBS News.

  • Elissa Esher is a digital producer at Hearst.

  • Maria Monteros is associate editor for retail at IndustryDive.

  • Hope Hodge Seck is managing editor at Military.com.

  • Rachel Greenland is a research editor and analyst at Boardroom Insiders.

  • Mitch Chamberlain and Amy Chamberlain, who met in the NYCJ program in 2016, got married and had twins!

  • Sydney Franklin, an alum of NYCJ forerunner WJC, completed her year-long fellowship at The New York Times on the real estate desk.

  • Callie Patteson joined The New York Post as a political reporter after nearly a year as breaking news editor at The Washington Examiner.

Events: If you missed our awesome session last fall with investigative reporter and MacArthur Grant recipient Jerry Mitchell, you canread about it and watch it here. We also posted videos and details from our spring SkepTech 2021 forum with David French, Al Sikes and others. We also posted a video of photojournalist Gary Fong’s spring 2021 MPJI lecture. Stay tuned for some exciting events this coming school year!

End Note: We were glad to hear from Det Norske Teatret in Oslo, Norway, recently about their upcoming production of The Lehman Trilogy by Sam Mendes. The organization plans to reprint (with our permission) an obituary of Robert Lehman written by John McCandlish Phillips in the theater program. Here’s the obituary: click here.

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We remain grateful for your friendship and support. Big THANK YOU to the Salinger Foundation for their recent annual support of scholarships for NYCJ students. If you would like to support the work of MPJI, you can make a tax-deductible donation here and specify that the donation should go to MPJI. 

Paul Glader

Director of MPJI

The McCandlish Phillips Journalism Institute is a home of journalism-related programs and majors at The King’s College in New York City. In addition to its academic programs, it hosts events and provides resources to its students, alums, friends and donors. The institute is named in honor of the legendary reporter at The New York Times who was an exemplar of standards, ethics and style in the craft of journalism and was a kind friend and mentor to those of us who knew him.

An Actor Discovered How Creatives Can Build A Personal Brand on TikTok

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Brittin Ward works at The King’s College in NYC as Educational Ventures and Services Administrator. In that role, he helps organize several academic programs at King’s including the Summer Academy for high school students each July and the NYC Semester programs in Journalism and Theater for visiting college students from 41 partner schools.

We knew that Brittin is an aspiring actor, who stared in several theater productions at King’s and in New York City since he graduated from Kings in 2018. So we were excited to learn that Brittin has made the most of the Coronavirus pandemic by applying his theater skills and interests to a TikTok, where his videos have gained millions of views and hundreds of thousands of followers. Brittin maintains a humble and studious attitude about this social media virality. And he agreed to answer questions about what he’s learning on TikTok that other actors, creatives and journalists might appreciate.

Q - How did your life in theater change when Covid emerged last March, April and May?

A - Theater stopped--everything stopped. I love theater and acting and suddenly I was not able to participate in any of it for the foreseeable future. Other than a couple of Zoom improv classes I had no creative outlet. I was not in any shows at the time, but I was a member of a performing choir that stopped due to COVID. Like everyone else, I felt a bit lost. My dream has always been to have a career in theater, and though I've done a couple of professional shows, I still have not hit my stride with performing. I don't have an agent and am not equity, so like most other actors in the city I'd been in the trenches trying to get booked. I was already fighting discouragement with the rejections and failure of "making it" as an actor when COVID hit, so when it became clear that my dream was in limbo and it was uncertain when theaters would re-open, I realized I needed to shift my priorities.

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Q - How did you decide to get involved with TikTok and why?

A - Prior to COVID, I had been growing increasingly interested in social media and the format of entertainment being delivered via the internet. The Actor's magazine "Backstage" and other actor publications have really been emphasizing the importance of having a presence on social media (here's a 2020 article from them on why every actor needs to be on social media). I made a TikTok account in December of 2019 because of the popularity the app was gaining and I posted a few videos to the app, but I was uncommitted prior to the pandemic. Once the theaters closed and I could not perform anything in person, I decided to spend all the found time I had in making videos for the internet and trying to build an audience. I decided to specifically start putting all my efforts into creating TikTok content because I knew that it was the fastest growing social platform in 2019-2020, it had the highest demographic of teen users at the time, and because I regretted missing the wave with Vine (a popular video app that died in 2016). I thought that if I could get good at keeping an audience engaged through short videos, it would help my storytelling skills and increase my understanding of what it takes to build an audience. Since I was trapped at home in quarantine anyway, I decided it would be a good way to have some sort of creative outlet while growing my understanding of how to keep people entertained.

Q - Tell us about how your audience grew there and what you learned from that audience?

A - It took a solid couple months of uploading consistently videos that barely broke 100 views before one took off and gained over a couple thousand views. From there it was probably another month and a half of posting before one of my videos broke the 100k views mark. As I continued to consistently post throughout the year, that window between the successful videos would grow shorter. Eventually, after about 6 months of posting with a few viral videos, I had gained a following of 40k. Up to this point, I had a general idea of the kind of audience I attracted (a younger demographic), so I started focusing my content more on what I thought they might find engaging. Taking the time to really work through that helped my growth and I was able to produce successful videos on a more consistent basis, ending the year with 590K followers. Consistency was the most important part of the growth. I posted videos daily for a few months, then pulled back to every other day once I started feeling burnt out.

I learned quite a lot from the audience, but I would say the two most important things would be: never-ending improvement, and consistency are key. There is always something I could improve in my videos whether it be lighting, sound, pacing, dialogue, etc. Also being consistent with the upload schedule and the kind of videos I posted were the most important factors of growth.

Q - Tell us about the process of figuring out what kinds of posts do well and play to your strengths? E.g. Do you do dances? Songs? Skateboard tricks? Monologues?

A - I quickly realized that I was (regrettably) not a part of the class of creators who could simply hit record, strike a couple poses, look attractive, and get millions of views. Nor was I a dancer. So, I took stock of what I was good at and how I might incorporate that into my videos. Being from a theater background, I was very familiar with conflict and motivation (i.e. what is the conflict of a story and what is motivating the characters to act), so I decided to try and incorporate that into my videos. I tried a basic skit where I played two characters fighting over something they both wanted (a yellow balloon), and I tried to keep the conflict at the center of the video. Conflict with high stakes engages an audience, and that was my first video to hit 1 million views. From there, I did a ton of research on how to make entertaining videos, what keeps people engaged, attended workshops, listened to podcasts--everything. I ruled out trying to do monologues or straight theater scenes as I saw other actors doing that on the app but found the videos to be pretty cringy. Not that my videos aren't cringy, but I had more fun going the direction I did.

Q - How might other young artists and actors think about personal branding and craft on platforms like TikTok, Snapchat and Instagram?

A - I am still trying to figure this out myself. I definitely think it's important to be on social media as an actor, since so much of the world relies on it. But I also see so many actors on social media only posting "actor" content, which I find really one-dimensional. As performers, our bodies are our instruments and our faces are our brand. As such, I think it's easy for us to be so self-focused that we get tripped up by what people actually enjoy or are entertained by. We post as a way to put ourselves out there, to show we're working on theater stuff, to say how happy and grateful we are to be involved in such-and-such production or Zoom play. But that does not attract an audience. That's "selfish content". The best thing you can do is offer value to people, whether that be information, entertainment or inspiration. Offering content that is valuable to people is what attracts them to follow you. I believe this is true across all social platforms.

Brittin Ward and his brother Titus

Brittin Ward and his brother Titus

Q - What kind of discipline or time commitment have you developed and what might other people develop?

A - Each video I posted in the latter half of the year took around 3-4 hours to shoot, edit, and post, so it definitely required a good amount of discipline. That also does not include the time it would take to come up with a video idea and plan out the video. It sounds silly since it was only for TikTok, but I would literally storyboard my videos and break them down into increments of 5-10 seconds and plan what action I wanted to happen at which segment of the video. I basically spent all my time outside of my day job working on my videos.

Q - Why is it important for artists to build self-marketing skills?

A - Honestly, being cut off from theater was really great for me as it forced me to take stock of the direction my career was going and think creatively about how to entertain people. As an actor, I am my own business so it is solely up to me whether I succeed or fail. If I don't have the drive to keep picking myself back up after each failure and continuing to pursue my dream, it will not happen. Self-marketing is crucial for actors and entertainers, but I would emphasize the importance of not just self-promoting. No one likes that. But everyone appreciates a chuckle at a funny video, or feeling inspired to try something new because of a video they watched. I don't know who said this originally, but my dad always told me "people won't remember what you said or did, but they will remember how you made them feel.”

Q - When the pandemic is officially over (what a wonderful thought!) do you expect to remain as involved on TikTok? Or do you expect to channel your creative energies elsewhere?

A - I've really enjoyed building an audience on TikTok, and I will continue to post there, but I would also like to turn my attention to other platforms. With videos restricted to being 60 seconds long, I have a hard time creating content that connects with people on a deeper level. I don't think it's possible for a TikTok to have the same impact on a person as a great podcast or youtube video. You just can't go deep (whether it be comedy, inspiration, etc.) in 60 seconds. When the Pandemic lifts I will go back to auditioning and trying to book stage roles. However, I will continue to devote plenty of my time to making videos. I feel like I am only just now beginning to understand how all this social media stuff works, so I'd like to see what I can accomplish in another year.

- Edited by Paul Glader, executive director of MPJI.

MPJI is based at The King’s College in New York City. MPJI provides education, training and professional development projects for journalists at the high school, undergraduate and professional levels. It is named after the late John McCandlish Phillips, a legendary reporter at The New York Times.

Follow us on Twitter, Instagram, and Facebook @JMPjournalism and LinkedIn at McCandlish Phillips Journalism Institute.